---
domain: harmonism
tags: [harmonism, philosophy, islam, tawhid, metaphysics, ibn-arabi, mulla-sadra, convergences]
content_layer: bridge
doctrinal_status: clear
breadth: partial
depth: developed
craft: clean
published: "2026-05-17"
---
# Tawhid and the Architecture of the One

*See also: [[Philosophy/Convergences/The Sufi Cartography of the Soul|The Sufi Cartography of the Soul]], [[Philosophy/Convergences/Fitrah and the Wheel of Harmony|Fitrah and the Wheel of Harmony]], [[Philosophy/Convergences/Logos, Trinity, and the Architecture of the One|Logos, Trinity, and the Architecture of the One]], [[Philosophy/Convergences/Convergences on the Absolute|Convergences on the Absolute]], [[Philosophy/Doctrine/The Landscape of the Isms|The Landscape of the Isms]], [[Philosophy/Doctrine/Harmonic Realism|Harmonic Realism]], [[Glossary of Terms#Logos|Logos]].*

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*Tawḥīd* — the doctrine of the absolute oneness of God — is the metaphysical spine of Islam. Every other Islamic claim stands or falls on it. The Shahāda — *lā ilāha illā Allāh*, "there is no god but God" — is not merely a creedal formula but the condensed ontological statement from which the entire Islamic civilizational architecture unfolds. What the Hindus call Brahman, what the Christians call the One whose nature is Trinity, what the Neoplatonists call the One beyond being, what Harmonism calls the Absolute — Islam calls *Allāh*, and insists with a precision unmatched in the other Abrahamic traditions that this One is truly One, without partner, without internal division, without any multiplicity that could compromise the radical unicity of the divine.

This claim has generated, over fourteen centuries, a metaphysical tradition of extraordinary depth and subtlety. The kalām theologians (Ashʿarī, Māturīdī, Muʿtazilī) debated its logical articulation. The *falāsifa* (Al-Fārābī, Avicenna, Averroes) integrated it with Aristotelian and Neoplatonic ontology. The Sufi masters (Al-Junayd, Al-Ḥallāj, Ibn ʿArabī) drove it to its ontological extreme. The Shīʿī philosophical tradition (Suhrawardī, Mulla Ṣadrā) synthesized the inheritance into what is the most refined metaphysical system ever produced in the Abrahamic world. The line that culminates in Ibn ʿArabī and Mulla Ṣadrā articulates what Harmonism recognizes as a structural cognate of its own qualified non-dualism.

## The Dialectic of *Tanzīh* and *Tashbīh*

The first axis of Islamic metaphysical discourse is the tension between *tanzīh* — God's absolute transcendence, God's utter incomparability with any created thing — and *tashbīh* — God's self-disclosure through attributes that can be named, worshipped, and related to.

The Qur'an is emphatic on *tanzīh*: *laysa ka-mithlihi shayʾ* — "there is nothing like unto Him" (Sūrat al-Shūrā 42:11). God is wholly beyond any creaturely category. God is not a being among beings, not the highest instance of a class, not an object that stands in any relation the mind can grasp. This is *tanzīh* in its maximal articulation, and the Ashʿarī theological tradition developed it with great rigor — insisting that the divine attributes (knowing, willing, seeing, hearing) are real but must not be understood in any sense analogous to human knowing, willing, seeing, or hearing. The correct attitude is *bilā kayf* — "without [asking] how." God has these attributes; how God has them is not available to creaturely cognition.

But the Qur'an is equally emphatic on *tashbīh*. God has ninety-nine Names by which God is to be known and invoked. God is *al-Raḥmān* — the All-Merciful. God is *al-ʿAlīm* — the All-Knowing. God is *al-Nūr* — the Light. God is *al-Ẓāhir wa-al-Bāṭin* — the Manifest and the Hidden. These are not arbitrary labels; they are God's own self-disclosure to creation. If *tanzīh* were pressed to the point of refusing all attribution, God would become a pure unknown, incapable of being worshipped or loved, and the whole devotional dimension of Islam would collapse.

The great metaphysical tradition of Islam was forged in the disciplined holding of this tension. Ibn ʿArabī (d. 1240), in the *Fuṣūṣ al-Ḥikam* and the *Futūḥāt al-Makkiyya*, articulated the resolution most precisely: *tanzīh* without *tashbīh* is the god of the philosophers, a sterile abstraction; *tashbīh* without *tanzīh* is idolatry, the projection of creaturely categories onto the divine; truth is only in the simultaneous holding of both. God is utterly transcendent and utterly immanent. God is nothing like any created thing and God is present in every created thing. The appearance of contradiction dissolves only when one recognizes that the mode in which God is present is not the mode in which creatures are present — that presence itself operates at a different register when the subject is God.

This is not a minor theological nuance. It is the metaphysical engine of the entire Sufi tradition. The dialectic of *tanzīh* and *tashbīh* is what makes *fanāʾ* possible (the dissolution into transcendence) and what makes *baqāʾ* intelligible (the subsistence as living manifestation). A tradition that cannot hold both poles cannot produce a contemplative discipline worthy of the name.

The structural parallel with Harmonism is direct. Harmonism's Absolute is the Void + Manifestation — the unmanifest ground and its total self-disclosure held together as a single ontological reality. To speak only of the Void is *tanzīh*; to speak only of Manifestation is *tashbīh*; the Absolute is the integrated reality in which both are held without collapse. What Ibn ʿArabī articulated within the specific idiom of Islamic revelation, Harmonism articulates as a structural feature of the Absolute itself. The convergence is not incidental.

## *Waḥdat al-Wujūd* — The Unity of Being

Ibn ʿArabī's most controversial and most consequential doctrine is *waḥdat al-wujūd* — "the unity of being" or "the unity of existence." The term itself was coined by later commentators; Ibn ʿArabī himself did not use it, though the substance is everywhere in his work. The doctrine holds that there is, properly speaking, only one existence — God's — and that what appears as the multiplicity of created things is the self-disclosure of that one existence through its infinite aspects, attributes, and relations.

This is not pantheism. The distinction is essential and must not be elided. Pantheism collapses God into the world — God just *is* the totality of created things. *Waḥdat al-wujūd* says the opposite: the world is not God, but there is no existence except God's; created things exist by participation in the one divine existence, not as independent beings alongside God. The Arabic distinction is between *wujūd* (existence, being) and *mawjūd* (that which exists, existent). There is only one *wujūd* — God. There are many *mawjūdāt* — existents — but their existence is borrowed, derivative, a disclosure of the one *wujūd* through specific modalities.

Ibn ʿArabī's image in the *Fuṣūṣ* is the mirror. God is the unseen face; creation is the mirror in which God's attributes become visible to God. The world is not God, but the world is nothing in itself — what *is*, in the world, is God's self-disclosure. The *ḥaqīqa muḥammadiyya* — the Muḥammadan reality, the archetypal human being through whom the divine attributes are most fully mirrored — stands at the center of this architecture, which is why the perfected human being (*insān kāmil*) occupies the position in Ibn ʿArabī's thought that Christ occupies in Maximus Confessor's: the intersection in which the infinite discloses itself to the finite in a maximal register.

This doctrine is the explicit cognate of the Advaita Vedāntin *ekam eva advitīyam* — "One only, without a second" — and of Rāmānuja's *Viśiṣṭādvaita* — qualified non-dualism, in which the world is real and distinct from Brahman but has no existence independent of Brahman. A Harmonist reader will recognize the architecture immediately. The Absolute is One; Manifestation is real; Manifestation has no independent existence apart from the Absolute; the many are the self-disclosure of the One through the mode of differentiation. This is the metaphysical structure of Harmonism in its own terms, and the structure of Ibn ʿArabī's *waḥdat al-wujūd* in his.

The doctrine was controversial within Islam and remains so. Ibn Taymiyya (d. 1328), the jurist-theologian whose later influence on Wahhabism was decisive, attacked *waḥdat al-wujūd* vigorously, reading it as a metaphysical confusion that blurs the Creator-creature distinction. The later Wahhabi and Salafi traditions inherited Ibn Taymiyya's rejection and have generally classified Ibn ʿArabī and the *waḥdat al-wujūd* tradition as heretical. Against this, the mainstream Sufi and Shīʿī philosophical traditions — the overwhelming metaphysical weight of the Islamic civilization from the fourteenth century through the present — have defended Ibn ʿArabī as the *Shaykh al-Akbar*, the Greatest Master, and read his doctrine as the most refined articulation of *Tawḥīd* the tradition has produced. Which reading prevails depends on which branch of Islamic intellectual history one stands within; Harmonism, operating from outside the sectarian divide, recognizes the Ibn ʿArabī line as the one that achieved the deepest metaphysical articulation of *Tawḥīd*, and therefore the one most available for convergence.

## Mulla Ṣadrā and the Architecture of Existence

The most refined systematization of Islamic metaphysics is Mulla Ṣadrā's (d. 1640) *al-Ḥikma al-Mutaʿāliya* — "the Transcendent Wisdom" — developed principally in the *Asfār al-Arbaʿa* (the Four Journeys), a massive nine-volume work that synthesizes the whole inheritance of Avicennan philosophy, Suhrawardī's illuminationism, Ibn ʿArabī's mystical metaphysics, and Ṣadrā's own distinctive contributions. Three of those contributions bear directly on the convergence with Harmonism.

**The primacy of existence** (*aṣālat al-wujūd*). Avicenna had distinguished essence (*māhiyya*) from existence (*wujūd*); Suhrawardī had argued that essence is primary and existence is a mental concept abstracted from the essences. Mulla Ṣadrā reversed this: existence is primary and real; essences are the limitations or modalities through which existence is received by particular things. What is really real is *wujūd* itself, the one existence; what varies is the mode and intensity in which existence is received. This is a decisive move. It makes the metaphysics an ontology of being-in-degrees rather than an ontology of kinds.

**The gradation of existence** (*tashkīk al-wujūd*). Existence is not a uniform property present identically in all beings. It is a single reality that admits of degrees of intensity. God is existence at its maximum intensity — *wujūd* in its absolute purity. Every lesser being is the same existence received at a diminished intensity, limited by the essence through which it is received. A mineral receives existence at low intensity; a plant at higher; an animal higher still; a human higher; a prophet higher; the *insān kāmil* highest among creatures; only God is existence at infinite intensity. This is the structural cognate of the Great Chain of Being in its Neoplatonic and Thomistic elaborations, but Mulla Ṣadrā gave it its most rigorous metaphysical foundation. The Harmonist who has read Aquinas's *Summa* on participation will recognize the structure; the Harmonist who has read the *Brahma Sūtras* on degrees of reality within the Vedāntin architecture will also recognize it. This is the cross-civilizational metaphysics of graduated being.

**Substantial motion** (*al-ḥaraka al-jawhariyya*). Aristotle and Avicenna had held that motion occurs only in the accidental categories — quantity, quality, place — and that substance itself is static. Mulla Ṣadrā argued that substance itself is in motion. Existence flows; beings are not fixed but in constant trans-substantiation, becoming more or less intense in their participation in *wujūd*. The soul in particular is in continuous substantial motion, progressively actualizing its own nature through the stations of the path. This gives Mulla Ṣadrā a dynamic ontology in which creation is not a completed fact but a perpetual disclosure, and the human being is not a finished essence but a becoming that stretches from material embodiment toward union with the divine.

The Harmonist architecture reads these three doctrines as articulating the same reality Harmonism articulates in its own vocabulary. The primacy of existence is Harmonism's claim that Manifestation (the 1) is the primary ontological reality under the Absolute, not a shadow cast by Platonic essences. The gradation of existence is Harmonism's multidimensional ontology — reality exists at differential intensities along a continuum from the material to the subtle. Substantial motion is Harmonism's Way of Harmony — the progressive deepening of participation in Logos through the spiral of integration, not arrival at a static perfection but the endless actualization of what [[Glossary of Terms#Dharma|Dharma]] requires.

## The Tension with Ashʿarī *Kalām* and the Wahhabi Rejection

Honesty requires naming what this convergence *cannot* claim. The Ibn ʿArabī–Mulla Ṣadrā line is not the whole of Islamic metaphysics. It represents the contemplative-philosophical peak of the tradition, the line that produced the deepest metaphysical articulation. But it has always been contested.

The Ashʿarī *kalām* tradition — the dominant theological school of Sunnī Islam from the eleventh century onward — is more austere. It insists on the radical discontinuity between Creator and creation; it is wary of any doctrine that threatens to diminish the gap. Ashʿarī metaphysics holds to an occasionalism in which God is the immediate cause of every event and created things have no real causal powers of their own — a position that preserves divine sovereignty at the cost of producing a metaphysically thin world. From within this register, the Ibn ʿArabī line appears to compromise *Tawḥīd* by saying too much about how the One relates to the many.

The Wahhabi-Salafi rejection is sharper. Ibn Taymiyya's critique of Ibn ʿArabī in the *Darʾ Taʿāruḍ al-ʿAql wa-al-Naql* and elsewhere is systematic; the eighteenth-century Wahhabi movement took Ibn Taymiyya's critique and hardened it into a blanket rejection of Sufi metaphysics, Shīʿī philosophy, and Akbarian thought generally. The Saudi religious establishment's current orthodoxy does not recognize Ibn ʿArabī or Mulla Ṣadrā as authoritative; many contemporary Salafi scholars classify *waḥdat al-wujūd* as *kufr* (unbelief) or *zandaqa* (heretical innovation).

This is the honest situation. When Harmonism claims convergence with Islamic metaphysics, the convergence is specifically with the Ibn ʿArabī–Mulla Ṣadrā line as transmitted through the major Sufi orders and the Shīʿī philosophical tradition. The convergence is not with Wahhabi or Salafi or hard Ashʿarī readings of Islam, which would reject the premises on which the convergence is built. An honest Harmonist engagement with Islam acknowledges this. It does not attempt to present itself as convergent with Islam as such — as though Islam were a monolith — but with the specific metaphysical line that articulated the deepest rendering of *Tawḥīd*.

What Harmonism can say — and this is not nothing — is that the Ibn ʿArabī–Mulla Ṣadrā line is not a fringe or a deviation but the metaphysical summit of the civilizational inheritance. When the tradition pressed its own principles to their deepest articulation, this is what it produced. The Wahhabi-Salafi rejection operates from a theological stance that refuses to let metaphysics reach that depth; within the Islamic tradition itself, this stance is a specific position, not the position. That position is held most forcefully by the school that emerged in eighteenth-century Najd and was later empowered by the Saudi state, but it does not represent the civilizational mainstream of Islamic metaphysical inquiry across its full fourteen centuries. The Harmonist claim is that when Islam thinks most deeply about its own *Tawḥīd*, it produces a metaphysics that converges structurally with the Advaitin, the Neoplatonic, and the Harmonist articulations. What the tradition's more austere registers produce is a more limited rendering — orthodox within the tradition's own variance, but not the articulation at which the cross-tradition convergence becomes visible.

## Convergence with Harmonism's Qualified Non-Dualism

The structural map of the convergence is now possible. Harmonism's metaphysical stance is **Qualified Non-Dualism** — the Absolute is genuinely One; Manifestation is genuinely real; Manifestation has no independent existence apart from the Absolute. The One achieves its unity through integration of its own self-disclosure rather than through reduction of multiplicity to undifferentiated sameness. This is the metaphysical structure. The Formula of the Absolute — 0 + 1 = ∞ — compresses it: the Void (the unmanifest ground) plus Manifestation (the total disclosure) equals Infinity (the lived reality in which both are held as one).

Ibn ʿArabī's *waḥdat al-wujūd* reads, in Harmonist translation: there is one existence, that existence is the Absolute, all things that appear to exist are the self-disclosure of that one existence through specific modalities. The tanzīh pole of the dialectic is the Void — the Absolute in its unmanifest transcendence. The tashbīh pole is Manifestation — the Absolute as it discloses itself in the one hundred thousand faces of creation. The dialectic resolves in the integrated vision of the *insān kāmil*, who sees both simultaneously and recognizes them as two aspects of a single reality.

Mulla Ṣadrā's *aṣālat al-wujūd* reads, in Harmonist translation: what is primary is Manifestation itself — the 1 in the Formula — not the essences (Platonic forms, Aristotelian categories, conceptual abstractions) by which Manifestation is sorted in the mind. The real is the living, actual being-in-act of what is, received at different intensities along the continuum of existence. *Tashkīk al-wujūd* is the explicit recognition that reality is [[Harmonic Realism|multidimensional]] — differentiated not into separate realms but into graduated intensities of the same underlying *wujūd*. *Ḥaraka jawhariyya* is the explicit recognition that Manifestation is dynamic, that the Way of Harmony is not a metaphor but an ontological feature of existence itself: to be is to be in motion, to be unfolding, to be deepening one's participation.

The convergence is not weak analogy. It is structural. Four deep thinkers — Rāmānuja in the Śrī Vaiṣṇava tradition of south India, Ibn ʿArabī in the Sufi tradition of Andalusia and Syria, Mulla Ṣadrā in the Shīʿī philosophical tradition of Safavid Iran, and Harmonism in the present synthesis — have each articulated the same qualified non-dualism from distinct starting points, distinct vocabularies, and distinct civilizational contexts. They do not agree on the historical specifications (Rāmānuja accepts the Vedic revelation; Ibn ʿArabī and Mulla Ṣadrā accept the Qur'anic; Harmonism specifies neither). But they agree on the metaphysical architecture. This is precisely the convergence [[Harmonic Realism]] predicts: when inquiry reaches sufficient depth, the real structure of the One and the many becomes visible, and civilizationally distinct traditions converge on it.

## Where Harmonism and Islamic Metaphysics Diverge

A final honesty. Islamic metaphysics, at its most refined, stakes commitments Harmonism does not stake.

First: the specific historical claim of the Qur'an as the uncreated speech of God, and of Muḥammad as the seal of the prophets. For Ibn ʿArabī and Mulla Ṣadrā, the metaphysical architecture is not separable from this revelation. The *ḥaqīqa muḥammadiyya* is ontologically central — the Muḥammadan reality is the archetypal form through which divine self-disclosure reaches its maximum in history. Harmonism acknowledges this as one civilizational register of the Logos's self-disclosure, but does not stake its coherence on the singularity of that disclosure.

Second: the binding status of the Sharīʿa and the obligation of ritual observance as constitutive of the path. For the Sufi masters, the interior work is inseparable from the exterior law. Al-Ghazālī is unambiguous: without the *sharīʿa* the *ṭarīqa* (the interior path) is unmoored and leads to error. Harmonism does not require ritual observance within a specific revealed law; the Wheel specifies its own disciplines and does not stake its authority on any particular legal-ritual tradition.

Third: the exclusivity of *Tawḥīd* as the true rendering of the One — the explicit rejection of Trinitarian Christianity as *shirk* (associating partners with God) and of Hindu polytheism as a lower rendering of what Islamic *Tawḥīd* states more purely. Harmonism does not arbitrate between these claims. The [[Philosophy/Convergences/Logos, Trinity, and the Architecture of the One|Trinitarian]] architecture and the *Tawḥīdī* architecture are different civilizational renderings of the One; each has its own internal logic and its own way of holding unity and distinction. Harmonism recognizes both as disclosures of the same underlying reality and declines to stake the exclusivity of either.

These three points of divergence are real. An Islamic metaphysician reading Harmonism would correctly observe that the convergence the Harmonist claims is partial — specifically, at the level of metaphysical architecture — and does not extend to the specific historical and revelatory commitments that Islamic metaphysics regards as inseparable from the architecture itself. The Islamic metaphysician's point stands. Harmonism's reply is that the partial convergence is not nothing — that the cross-civilizational structural agreement on the architecture of the One is itself a significant phenomenon that neither tradition can explain from within its own resources — and that recognizing the architecture alongside the other cartographies is a different kind of intellectual commitment than specifying a single revelation as the definitive one.

This is the distinction that has run through every bridge article in this series. Convergence is not identity. A Sufi and a Harmonist can walk a long way together. Where they part, they part honestly. The architecture they traverse together is real enough that the partnership is not superficial, and the parting is real enough that neither can absorb the other without distortion.

The companion article to this one — [[Philosophy/Convergences/The Sufi Cartography of the Soul|The Sufi Cartography of the Soul]] — treats the operative discipline of the path: the stations of the *nafs*, the *latāʾif*, the methods of *dhikr* and *murāqaba*, the horizon of *fanāʾ* and *baqāʾ*. Where this article has articulated the ontology the Sufi path operates within, that article maps the anatomy of the path itself. The two together constitute Harmonism's engagement with the interior dimension of Islamic civilization, and stand alongside the [[Philosophy/Convergences/Imago Dei and the Wheel of Harmony|Imago Dei]] and [[Philosophy/Convergences/The Hesychast Cartography of the Heart|Hesychast]] and [[Philosophy/Convergences/Logos, Trinity, and the Architecture of the One|Trinitarian]] articles as the Abrahamic cartography within the [[Philosophy/Convergences/The Five Cartographies of the Soul|Five Cartographies]].

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*See also: [[Philosophy/Convergences/The Sufi Cartography of the Soul|The Sufi Cartography of the Soul]], [[Philosophy/Convergences/Fitrah and the Wheel of Harmony|Fitrah and the Wheel of Harmony]], [[Philosophy/Convergences/Logos, Trinity, and the Architecture of the One|Logos, Trinity, and the Architecture of the One]], [[Philosophy/Convergences/Convergences on the Absolute|Convergences on the Absolute]], [[Philosophy/Doctrine/The Landscape of the Isms|The Landscape of the Isms]], [[Philosophy/Doctrine/Harmonic Realism|Harmonic Realism]], [[Philosophy/Convergences/The Five Cartographies of the Soul|The Five Cartographies of the Soul]].*
